Author(s): Sumon Sikder, Mohammad Rahmatullah, Mohammad Jashim Uddin

Abstract: This paper examines the performative dimensions of Bangabandhu Sheikh Mujibur Rahman's seminal March 7, 1971, speech through the lenses of Erving Goffman’s dramaturgical analysis and Richard Schechner’s performance theory. By deconstructing the speech’s gestural rhetoric, vocal dynamics, and audience engagement, this study elucidates how Bangabandhu's oratory transcended mere political discourse to become a potent act of political theatre. The analysis reveals that through strategic use of gestures, pauses, and direct interaction with the audience, Bangabandhu not only conveyed his message with compelling clarity but also fostered a robust communal identity and mobilized collective action. The symbolic and ritualistic elements embedded within the speech further underscore its transformative impact on the Bengali liberation movement. This scholarly exploration offers valuable insights into the intersection of performance and politics, highlighting the enduring relevance of performative strategies in contemporary political oratory. The practical implications of this study extend to enhancing the efficacy of political communication and leadership in mobilizing societal change.

Keywords: Performative Rhetoric, Political Theatre, Dramaturgical Analysis, Audience Engagement, Liberation Movement

Article Info: Received: 19 May 2024; Received in revised form: 23 Jun 2024; Accepted: 04 Jul 2024; Available online: 12 Jul, 2024

DOI: 10.22161/ijels.94.8