Author(s): Rebati Singh

Abstract: Human communities transmit knowledge through two major channels: written traditions and oral traditions. Many tribal communities have historically relied more on oral transmission than on written documentation, and their collective memory is preserved through myths, legends, proverbs, riddles, ritual utterances, ballads, and folksongs. This paper studies selected Bhumij folksongs from Mayurbhanj district of Odisha as a form of oral literature. It focuses particularly on nature-oriented, devotional, and work-related songs because these categories most clearly reveal Bhumij consciousness about ecology, labour, community, worship, and everyday survival. The paper does not attempt to cover the entire range of Bhumij song traditions, such as marriage songs, love songs, or festival songs, because such a broad scope would require separate fieldwork and a different corpus. Drawing on primary field collection, translation, and close textual analysis, the study argues that Bhumij folksongs move beyond recreation: they preserve memory, communicate values, express ecological ethics, and make visible the community’s perception of the world. The title “from recreation to perception” therefore indicates a movement from songs as entertainment to songs as cultural texts through which social consciousness can be read.

Keywords: Bhumij, folksongs, oral literature, tribal culture, Mayurbhanj, ecology, consciousness

Article Info: Received: 13 May 2026; Received in revised form: 10 Jun 2026; Accepted: 15 Jun 2026; Available online: 17 Jun 2026

DOI: 10.22161/ijels.113.67