Author(s): Bhuvi Kataria

Abstract: In a room wallpapered with madness, a woman crawls in circles, not just across the floor, but through the thick residue of a culture that has pathologized her very being. What begins as quiet discomfort with the décor becomes a descent into psychological collapse—a collapse orchestrated not by an inner weakness, but by the tightening noose of patriarchal medical care. The Yellow Wallpaper is not merely a gothic tale of nervous breakdown—it is a mirror turned toward the psychiatric practices and domestic ideologies of the 19th century, reflecting the cost of silencing women in the name of science and love. This paper explores the intersection of psychopolitics, melancholia, and female suffering in Charlotte Perkins Gilman’s work, drawing on theoretical insights from Julia Kristeva, Michel Foucault, and Gilman's autobiographical experiences. By contextualizing the protagonist’s descent into madness within 19th-century medical discourse and sociocultural expectations of femininity, this study interrogates how gendered notions of mental illness were both pathologized and politicized. Through this multidisciplinary lens, the paper argues that The Yellow Wallpaper not only critiques medical misogyny but also performs a proto-feminist poetics of rebellion against the silencing of women’s mental distress.

Keywords: Madness, medical misogyny, psychopolitics, female suffering, feminist literary criticism.

Article Info: Received: 17 Apr 2025; Received in revised form: 13 May 2025; Accepted: 18 May 2025; Available online: 22 May 2025

DOI: 10.22161/ijels.103.31