Author: Qi Liu

Abstract: This article investigates how participatory digital fandom redefines the concept of cult film within contemporary Chinese cinema, using two contrasting yet highly influential film franchises as case studies: Tiny Times (2013–2015) and Wolf Warrior (2015–2017). Employing discourse analysis of fan interactions on social media and close textual analysis of the films themselves, this study examines how online fan practices convert mainstream films into cult texts. Despite their distinct ideological positions—one emphasising aspirational neoliberal consumerism, the other showcasing assertive nationalism—both franchises are subjected to similar paracinematic rituals by online communities. Fans appropriate, critique, and ironically celebrate these films, thus creating a new form of digital cult status distinct from traditional Western definitions centred on marginality and subversion. This paper argues that digital participatory cultures, supported by social media platforms, reshape cult cinema into an expansive, ritualised practice that merges consumerist and nationalist discourses. The findings challenge established Anglophone-centric cult film theories by highlighting the role of digital platforms and fan-generated content in redefining cinematic value and audience engagement in China's evolving media landscape. This analysis contributes to global cult-film scholarship by showing how digital platforms shape cinematic reception beyond Western contexts.

Keywords: Chinese cinema, cult cinema, digital fandom, memes.

Article Info: Received: 01 Aug 2025; Received in revised form: 30 Aug 2025; Accepted: 04 Sep 2025; Available online: 08 Sep 2025

DOI: 10.22161/ijels.105.5